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"It is terrible," says Mona, with such exceeding earnestness that he could have hugged her on the spot. Mona is sitting in the morning-room, the faithful and ever lively Nolly at her side. According to his lights, she is "worth a ship-load of the whole lot," and as such he haunts her. But to-day she fails him. She is absent, depressed, weighed down with thought,—anything but congenial. She forgets to smile in the right place, says, "Yes" when courtesy requires "No," and is deaf to his gayest sallies. "'He will write again. And he is sure we shall all love her when we see her.' That is another sentence that goes without telling. They are always sure of that beforehand. They absolutely arrange our feelings for us! I hope he will be as certain of it this time six months, for all our sakes.".

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"Then get a chair for yourself, at least, as you will not permit me to go to your aid," he entreats. "I am your prisoner,—perhaps," in a low tone, "the most willing captive that ever yet was made." Sir Nicholas, having gone leisurely through two of his letters, opens a third, and begins to peruse it rather carelessly. But hardly has he gone half-way down the first page when his face changes; involuntarily his fingers tighten over the luckless letter, crimping it out of all shape. By a supreme effort he suppresses an exclamation. It is all over in a moment. Then he raises his head, and the color comes back to his lips. He smiles faintly, and, saying something about having many things to do this morning, and that therefore he hopes they will forgive his running away from them in such a hurry he rises and walks slowly from the room. "Not even to you," very gravely. There is reproof in her tone. They are standing somewhat apart, and her eyes have been turned from him. Now, as she says this, she changes her position slightly, and looks at him very earnestly. From the distant ballroom the sound of the dying music comes sadly, sweetly; a weeping fountain in a corner mourns bitterly, as it seems to Mona, tear by tear, perhaps for some lost nymph. "You will come first and see Philippa?" she says, in a slow peculiar tone that sounds as if it had been dug up and is quite an antique in its own way. It savors of dust and feudal days. Every one says he or she will be delighted, and all try to look as if the entire hope of their existence is centred in the thought that they shall soon lay longing eyes on Philippa,—whose name in reality is Anne, but who has been rechristened by her enterprising sister. Anne is all very well for everyday life, or for Bluebeard's sister-in-law; but Philippa is art of the very highest description. So Philippa she is, poor soul, whether she likes it or not..